she said…

Why can’t you be…like a candle I can snuff?
You’re still a diamond in the rough.
And I swear to god…I had enough.
How can I…call your bluff?

Why can’t you be…like a candle I can snuff?
You’re still a diamond in the rough.
And I swear to god…I had enough.
How can I…call your bluff?
I don’t love you as if you were the salt-rose, topaz
or arrow of carnations that propagate fire:
I love you as certain dark things are loved,
secretly, between the shadow and the soul.
I love you as the plant that doesn’t bloom and carries
hidden within itself the light of those flowers,
and thanks to your love, darkly in my body
lives the dense fragrance that rises from the earth.
I love you without knowing how, or when, or from where,
I love you simply, without problems or pride:
I love you in this way because I don’t know any other way of loving
but this, in which there is no I or you,
so intimate that your hand upon my chest is my hand,
so intimate that when I fall asleep it is your eyes that close.
- pablo neruda

My Grandmother
Lettitia Helena Fernandez
Eternal rest grant unto her, O Lord.
And let perpetual light shine upon her.
May she rest in peace.
Amen.
i will miss you so much.

Things-As-They-Are offer such an abundance of material that a photographer must guard against the temptation of trying to do everything. It is essential to cut from the raw material of life–to cut and cut, but to cut with discrimination. While working, a photographer must reach a precise awareness of what he is trying to do. Sometimes you have the feeling that you have already taken the strongest possible picture of a particular situation or scene; nevertheless, you find yourself compulsively shooting, because you cannot be sure in advance exactly how the situation, the scene, is going to unfold. You must stay with the scene, just in case some of the elements of the situation shoot off from the core again. At the same time, it’s essential to avoid shooting like a machine-gunner and burdening yourself with useless recordings which clutter your memory and spoil the exactness of the reportage as a whole.
- Henri Cartier-Bresson

Hear you me my friends
On sleepless roads, the sleepless go
May angels lead you in
we’ll miss you.

The ones that don’t fit in with the smile
I know it comes within
I can see you in the corner laughing
When the lightings low (at the after show)

when you’re in the strawberry fields
just listen, you can hear them
they’ll call out loudly
they shout, “don’t forget about me”

Don’t complicate your twisted mind
Cause it’s a total waste of time
Total waste of time
I crave your mouth, your voice, your hair.
Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps.
I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.
I want to eat the sunbeam flaring in your lovely body,
the sovereign nose of your arrogant face,
I want to eat the fleeting shade of your lashes,
and I pace around hungry, sniffing the twilight,
hunting for you, for your hot heart,
like a puma in the barrens of Quitratue.
- pablo neruda
i like my body when it is with your
body. It is so quite new a thing.
Muscles better and nerves more.
i like your body. i like what it does,
i like its hows. i like to feel the spine
of your body and its bones, and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the, shocking fuzz
of your electric fur, and what-is-it comes
over parting flesh … And eyes big love-crumbs,
and possibly i like the thrill
of under me you so quite new
- e. e. cummings